★★★★★ Telegraph Review

The Daily Telegraph | April 2018

★★★★★ Spellbound by a medley of mighty motets

“The genre [motets] flourished mightily in England, as it did all over Europe, and Owain Park, the director of young vocal group The Gesualdo Six has set out to represent the English kind in all its variety.

“It’s an ambitious aim for a single CD – but Park pulls it off. The blend and tuning of the voices is so fine that the group achieves a powerfully full sound.

“The sheer beauty of the group’s sound in lofty high-Renaissance style pieces like Byrd’s Miserere is spellbinding. The fine-grained texture of solo voices allows us to savour the amazing harmonic pungency of English sacred music, which at times seems almost modernist. It is a wonderful achievement.”

The original article by Ivan Hewett appeared in The Daily Telegraph Review, on Saturday 21 April 2018.

A look back on our second Spring Tour

Mike Craddock writes about our second Spring Tour, which took place 2–8 April 2018.

Summer has firmly arrived in the City of London, and I am writing this update in a roof garden near Fleet Street, with a large iced coffee. It is amazing to think that our Spring Tour, with its associated jumpers, wellies and copious precipitation, concluded less than two weeks ago! We spent seven days in a seven-seater crisscrossing the bottom half of the country, giving seven concerts, and launching our first CD, English Motets.

We started our tour in the beautiful Black Mountains, on the Welsh border in Herefordshire. Keener followers of the group will recall that we have spent quite a bit of time in this picturesque corner of the world over the past few years, and indeed we are indebted to the Revd. Nicholas Lowton for taking time out of his busy TV schedule (star of BBC Two’s ‘A Vicar’s Life’) to put on two concerts in the area for us, in Dorstone and Clodock. Coming back to Herefordshire is always a delight, and we are only sad that inclement weather prevented us from staging our third G6 1sts v 2nds cricket match at Michaelchurch-Esley CC; always a hotly contested fixture.

Our next port of call was Bristol, the Park homestead, and a concert in All Saint’s Clifton, a building with a fabulous acoustic, celebrating its 150th Anniversary this year. As is our wont, we fully tested the auditory experience in the venue by singing our first half from every possible nook and cranny. We had the pleasure of performing one of our favourite entries from our 2016 Composition Competition, “A Birthday” by Sarah Rimkus, with the composer in the audience. We managed not to spoil the result of the Champions League game for any of our Kopites in the group, and retired chez Park to watch the highlights of the drubbing Liverpool gave Manchester City.

From Bristol we then headed to our westernmost destination, Colyton in Devon. Our concert in St Andrew’s was incredibly well attended, thanks to the herculean efforts of Margaret Clark, back in the saddle for one last ‘Concert at Colyton’ after her retirement. The next morning included a trip to the waterfront at Seaton, with the associated seaside pastimes of pebble skimming, amusement arcades, and being buffeted by unreasonably strong winds.

Back in the van and off to Winchester, where we engaged in a first tenor transfer, saying goodbye to Gopal and hello to Joseph, who joined us from what looked like a thoroughly strenuous tour in the Scilly Isles with Truro Cathedral Choir. Naturally we worked him hard that night, as he had to get through all the remaining Domino’s pizza which we ordered as vital pre-concert sustenance. Cricket that day was hard fought and high quality, after a slightly abortive attempt at the damp sports field(/bog) in Colyton. The starring cameo was from A. Chance, who retired out after a lofted off side six into the Subaru parked on the adjacent road.

One of the real highlights of the tour was our concert on Saturday afternoon, the official launch of our CD at St Peter’s Eaton Square. It was a wonderful feeling performing the repertoire we enjoyed putting down on disc to a packed church, full of supporters, colleagues and friends of the group old and new. Tallis’s “Suscipe Quaeso Domine” was particularly enjoyable to revisit in a concert setting, and there are few finer places to sing Renaissance music in London than St. Peter’s. Mercifully the sun came out for some Chapel Down sparkling wine on the portico, and we had a great time catching up with everyone after the concert.

Our final concert of the tour was a trip to beautiful Framlingham, which despite the distinctly shoddy weather remained an amazing venue. St Michael’s Church was a great place to round off the week, and appropriately for the launch tour for our first disc, was where we sold out of our first batch of CDs. This seemed a remote possibility when loading them into the car at the start of the week, but the interest and enthusiasm showed in the music has been wonderful for us, and we are so glad to be able to give audiences something to take away with them. Here’s to the first of many CD launch tours!

MGR Music

Thank you to Matthew Rusk of MGR Music for this article about our concert in Winchester as part of our Spring Tour 2018! Read the article here.

MGR Music is a network of professional musicians located throughout the UK and Ireland, tutoring students of all ages and abilities across a wide range of different instruments.

CD Launch Concert

We are very much looking forward to launching our debut album, English Motets, with a concert in London on Saturday 7 April 2018 at 3pm. Our venue is St Peter’s Eaton Square, a remarkable building with a great acoustic for renaissance polyphony and a fabulous Portico for post-concert refreshments. Tickets are available to purchase in advance here. We hope you can join us to celebrate the release of our first CD!

Listen to samples on iTunes | Add event to Google Calendar | Map | Tickets

Sam has arrived very early indeed for our launch concert at St Peter’s Eaton Square in London.

Spring Tour 2018

We are delighted to present our second Spring Tour, a series of concerts taking place during the first week of April. We will be touring a programme featuring works from our debut album, English Motets.

CONCERT DATES

2 April 2018
Dorstone (Herefordshire)
St Faith’s Church
Start time: 7:30 PM
Ticket Link


3 April 2018
Clodock (Herefordshire)
St Clydawg’s Church
Start time: 7:30 PM
Ticket Link


4 April 2018
Bristol
All Saint’s Church, Clifton
Start time: 7:30 PM
Ticket Link


5 April 2018
Colyton (Devon)
St Andrew’s Church
Start time: 7:30 PM
Ticket Link
in advance from The Little Shop | phone 01297 553238 | on the door


6 April 2018
Holy Trinity Church, Winchester
Start time: 7:30 PM
Ticket Link


7 April 2018
London
St Peter’s Eaton Square (CD Launch event)
Start time: 3:00 PM
Ticket Link


8 April 2018
Framlingham (Suffolk)
St Michael’s Church
Start time: 3:00 PM
Ticket Link


Concert programmes can be found on Classical Events.

English Motets CD available for pre-order

We are delighted to reveal our first disc, English Motets, which is now available for pre-order.

Visit the shop to pre-order your copy

Our launch concert takes place on Saturday 7 April 2018 at St Peter’s Eaton Square, London. Tickets are available to purchase in advance here. We will also have our CD available at our Spring Tour concerts (2–8 April 2018).

English Motets is also available to pre-order on iTunes, where audio samples can also be played.

First concerts of 2018

Bristol Holy Trinity Saturday 6 January at 7.30pm | Salisbury St Martin’s Sunday 7 January at 3pm

We are looking forward to ringing in the first weekend of the new year with performances in Bristol and Salisbury. On Saturday 6 January 2018, we return to Holy Trinity Church in Westbury-on-Trym to conclude their 1300th anniversary celebrations. We then travel to Salisbury to perform for the third time in St Martin’s Church. Both programmes are centred around music for Epiphany, and will feature renaissance and contemporary works intermingled with plainchant. Featured composers include Sir John Tavener, Herbert Howells, Arvo Pärt and Cheryl Frances-Hoad. Tickets are just £10, with a £5 reduced rate for students.

Programme to include
Tavener The Lamb
Cornelius Three Kings from Persian lands afar
Pärt Morning Star
Byrd Praise our Lord all ye Gentiles
Eccard When to the Temple Mary went


BRISTOL – 6 JANUARY 2018 at 7:30 PM


SALISBURY – 7 JANUARY 2018 at 3:00 PM

Owain interviewed by Planet Hugill

Owain was recently interviewed by Planet Hugill about upcoming concerts at the Temple Winter Festival, including his debut with the BBC Singers, as well as our performance on Thursday 14 December 2017. Here is an extract from the interview:

“Owain Park is a busy young man, as he combines working with his vocal group The Gesualdo Six with a burgeoning conducting career, work as a composer including writing a commission for Nigel Short and Tenebrae’s recent tour, not to mention singing. Owain will be wearing two of these hats during the Temple Winter Festival (11-15 December 2017) when he and The Gesualdo Six will be giving a lunchtime recital, and in another concert Owain will be conducting the BBC Singers.

“The Gesualdo Six’s concert at the Temple Christmas Festival combines early and modern music for Advent and Christmas from Byrd to Cheryl Frances-Hoad, along with some arrangements. Owain explained that the programme brings together pieces from the group’s 2016 Christmas tour, having undergone a process of streamlining, and the intention was to make a programme which was attractive to as wide and audience as possible, and he emphasises that the tickets are cheap too. They will be performing Jonathan Harvey’s Annunciation re-scored for six voices, and Owain sees the piece as having links with the early pieces in the programme. The group has done quite a few performances at St John’s Smith Square (where they were Young Artists in 2015-2016), and Owain comments that it is nice to be appearing elsewhere in London.”

Read the full article here.

Workshops in King’s Bruton

Article by Ashley Marshfield – Director of Choral Studies at King’s Bruton

On Friday 17th November, King’s were fortunate to welcome the Gesualdo Six and their leader Owain Park to give a series of masterclasses to the King’s School Choir, Chapel Choir and Chamber Choir.

The group put the choirs through their paces with real attention to detail and thoughts on making phrases sound as musical as possible. It was a fantastic experience and a real boost to have professional singers performing in amongst our own pupil voices. The whole day really lifted the sound of our choirs to an incredibly impressive level.

During the afternoon, The Gesualdo Six ran a workshop with prep school children from All Hallows and Millfield. The boys and girls had a superb time and experienced singing rounds, ‘mash-ups’ of popular music combined with some beat boxing! The afternoon finished with a short recital to demonstrate to an appreciative audience what they had achieved during the afternoon.

The day culminated with The Gesualdo Six giving an evening performance in the Memorial Hall. The concert was a well-attended event with first-class music ranging from Loquebantur by Thomas Tallis to a performance of an impressive work Sequence: ‘In Parenthesis’ composed by the group leader, Owain Park. Equally comfortable with more light-hearted works, the concert also included selections of Folksongs from the British Isles and Light Music. It was the culmination of what was an excellent day of choral music at King’s and a wonderful experience for all. The group thoroughly enjoyed their visit and are keen to come again!

The original article was titled: The Gesualdo Six Take King’s Choral Singing To An Even More Impressive Level


Photos shared with the kind permission of participating schools.